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I recorded a short chord improvisation into a MIDI file, then recorded the audio from the performance using two Yamaha grand pianos - PianoTeq's modeled Yamaha grand (the YC5) and a Yamaha grand expertly sampled by Yamaha itself (and included in my MIDI keyboard, the Yamaha CP5). but the final sound is still slightly synthetic (especially chords) and worse than any good sampled piano?
Pianoteq 5 d4 equivilant to in pianoteq 6 generator#
I am so happy to find a software piano tone generator that works (extremely well) in Linux, not just in Windows or Apple's OS.Īm I the only user who think that Pianoteq has the best playability, natural response, natural pedal responce, etc. I attempted to use equalization, but instead eventually resorted to using a combination (2 sounds for each note) of the Yamaha's beautifully sampled and crystal clear grand pianos (2 of them on the CP5 keyboard) and the Integra-7's pianos at a lower volume, but with the string resonance parameter turned very high, to give the warm and complex resonance to the Yamaha's piano samples.īut neither the Yamaha nor Integra-7 pianos, or a combination of both, have approached Pianoteq's beautifully modeled pianos with their excellent string resonance (and so many other configurable parameters) and the very natural-sounding equalization and tone of a professionally tuned and maintained acoustic piano over the entire 88-key piano range. The "SuperNatural" pianos on the Integra-7 have an annoying loud twang in the sound of the upper mid register, followed by relatively weak treble volume from there to the top of the piano range. Instead, it appears (from information available) to be sampled pianos with some modeling (such as for string resonance) applied to the samples as they are triggered.
![pianoteq 5 d4 equivilant to in pianoteq 6 pianoteq 5 d4 equivilant to in pianoteq 6](https://www.modartt.com/images/tutorials/mej-img2.jpg)
Sometimes I will play the MIDI recording PianoTeq automatically makes of recent piano performance, and click the Random button repeatedly, and love many of those random-parameter sounds as well.Īnyway, I merely wanted to praise the PianoTeq development team and to thank them, gratefully, for producing such a wonderful product and tool for musicians.Įvidently not completely. I'm continually amazed at how wonderful a program PianoTeq is, and how configurable. I had become accustomed to them and liked them before, but since using PianoTeq and its wonderful modeled pianos, I can hardly bear playing the sampled and "SuperNatural" pianos anymore. Within minutes, I was frustrated by both the sampled pianos of the Yamaha and the "SuperNatural" pianos of Roland.
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New features have been added: the microphones can be rotated in all three dimensions and attached together for their positioning, and they also offer control over polarity and the proximity effect.I have been using PianoTeq for about one month, and have already become spoiled by the wonderful piano models.Ī few days ago I decided to turn on my electronic piano (a Yamaha CP5) and the rack mounted Roland Integra-7 tone module to practice, instead of turning on the computer and using PianoTeq as I usually do. Fifteen microphones of well- known brands are modelled, increasing the palette of available sound colours. The improved physical model makes it possible to work with directional microphones such as cardioid and figure 8. New microphones bring a higher level of control to the recording project The late-19th Century pianos, particularly, with a design approaching that of a modern piano, illuminate jazz and other modern music. Incomparable for rendering the music of the Classical period, these instruments can also be used for more recent compositions. Broadwood (1796), and grand pianos, such as an I. The collection includes virtual copies of pianofortes, such as a J. In collaboration with Kremsegg Schloss Museum (Austria), a collection of beautiful historical pianos has been created, ranging from 18th Century to late 19th Century instruments.